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Strategies for Remembering Choreography

July 31, 2009 Leave a comment

Strategies for Remembering Choreography

Written by Nash on Wednesday, 22 July 2009 17:57


Ever have trouble remembering what comes next in a dance?

One of the common struggles students face in class is recalling the sequence of choreography. Particularly, if you are a beginning student, you may not have yet developed the tools needed to quickly retain passages of movement. Everyone is different and you will need to find what works for you. The following are just a few techniques you might try the next time your teacher gives a combination.

Look for the Pattern

Photo by Eric Fredericks

Choreography is not typically one, long, string of unrelated movements, though when it is given more quickly than you are used to, it can seem so. Generally you will be shown a sequence more than once. If you’re struggling to keep up with the rush of information coming your way, it may help to focus on the pattern first and worry about the movement second.

The pattern may relate to number of repetitions. For instance, 4 front, 4 side, 2 front, 2 back, 1 front, 1 side, 1 front, 1 back — it may seem an odd pattern, but if you’ve retained at least this, filling in the blanks will be easier.  Patterns may also be directional. Perhaps the choreography travels to the down-stage corner, faces upstage, downstage, then moves stage right.

Focus on One Aspect of the Choreography

Pattern is just one element of choreography. You might also choose to focus on other components, one at a time, to construct the sequence in your body and mind. For example, try focusing your attention on the feet alone if combining the arms, head, and rhythms all at once is proving to be too much information. This doesn’t mean you have to leave the other elements out altogether. Do what you can, but give yourself permission to let one thing go for the sake of absorbing the details of another. You can always layer the movements with more detail as you go.

Attach a Visual Image

Sometimes attaching a mental image to a step or series of steps can help you to put things in order. The movement’s name may offer clues – for instance Pas de Chat is “step of the cat.” This swift jump directly relates to the pounce of a feline. However, sometimes movements don’t have names or at least not ones that correspond to an image. So, it’s okay to attach your own visuals and/or terminology… no matter how strange.

What does each movement or series of steps bring to mind? Maybe your sequence looks like this: chopping vegetables, waves crashing, popcorn, ice skating. As long as the images make sense to you, you will likely be able to keep these images in order, aiding your memory of the choreography itself.

Write it Down

Photo by Scott Rettberg

Sometimes the act of writing, or seeing words or sketches on a page can solidify a chain of movement, particularly if there will be some time before your next class or rehearsal. You might try writing down the choreography (in whatever way suits you) as soon as possible after your class. This is not a technique that works for everyone and I have seen students get too attached to their new “cheat sheet. ” The key is remembering that this device is capturing memories you have not creating memories where there are none. The choreography is already stored in your body, putting it on the page is just mental repetition.

Repetition

Speaking of repetition, there are lots of ways you might apply this prominent memory device. Though practicing “full-out” is most helpful, “marking” the movement can also be beneficial. Try marking as much as you can as the teacher demonstrates the combination or, whenever there are spare and appropriate moments during the class – while the first group performs, while the teacher is working independently with someone else, etc.

When there is a moment in the sequence that you trip or get stuck on each time it is performed. Try performing the movement prior, the problem spot, and the moment following, three or more times in a row. Then perform the whole thing again. You may find that this helps to correct the gap in memory you’ve been experiencing.

Also, never underestimate both mental (i.e. visualizing the choreography) and physical practice. This kind of repetition not only solidifies your memories but will bring to light the segments of the combination that seemed clear in class but are trouble spots in your memory.

Sing the Rhythm

Sometimes thinking of dance as a rhythm or melody can assist your recollection of the choreography. Your movement may alreay by set to music, however, the dance itself has a rhythm or phrasing. Try to focus on this and even “sing” it to yourself as you move or recall the movement. Many teachers do this when teaching the movement. It’s very common in tap (Shelly Oliver does it about 20 seconds into the video below) but it is certainly possible in other styles.

No matter what strategies you use to remember choreography…

Don’t Rely on Others

Many students will depend heavily on the teacher or other students when performing movement. I like to call this “brain-sucking” because when you do this you are leeching the movement sequence from someone else without actually retaining much of it in your own brain. The danger of this is that when that person is no longer performing the choreography or makes a mistake, you will be unable to perform accurately. When attempting the choreography after it has been given, try to keep your focus off of those around you – looking ahead or changing your focus as required in the choreography. A little brain-sucking is normal, however, I find that most students don’t need to do it as much as they think, which brings me to…


Trust Your Motor Memory

Your brain and body have an amazing capacity to “remember” movement patterns, pathways, and relationships. The mechanics and neuroscience of this is not completely understood. Like all skills,  however, motor memory (sometimes referred to as muscle memory), seems to be learned and improved through practice and experience. As you are learning, it pays to trust these neuromuscular systems to do their work. Do not let lack of confidence or “overthinking” undermine the relatively natural process that your mind and body go through as you learn and practice choreography. Replace negative thoughts with positive and affirming ones.


Source:

http://danceadvantage.net/2009/06/07/remembering-choreography/

Categories: Misc

Legit Status Dance Videos

July 30, 2009 Leave a comment

Market Market, Taguig
June 11,2009

AMA Dance Troupe

The Crew

ACDT

Dance X

ICA Dance Troupe

LSGH AirForce

Categories: Video

THE AFTERSHOCK – The August Dance Workshop

July 29, 2009 3 comments

THE AFTERSHOCK

Q. What is THE AFTERSHOCK?
A. The Aftershock is a specialization dance workshop that’s happening on the month of August. Twice a week, for 4 weeks. That’s 8 sessions. Only for Php 2000. ***PLUS Unlimited Hiphop Saturday Classes.

Q. You mean i can take any class that I want every Saturday?
A. Yes. As long as you are enrolled in the program, you don’t need to pay for the Hiphop Saturday Classes. You can take as many classes as you want that day.

Q. What do you mean by specialization?
A. The Aftershock Workshop offers different dance classes with defferent dance styles that you would want to specialize in. Let’s say you really like the dance and style of Lockin’, then in those 8 sessions, we can assure you that our choreographers will take their time to teach you everything they know about that genre of dance. From foundations, training, to mastery of the style.

Q. What if I want to take different classes of the Aftershock Workshop?
A. The fee per specialization is Php 2000. (Ex. If you want to take Hiphop and Jazz Funk then the fee will be Php4000)

Q. Can i take the classes of the Aftershock Workshop even if I’m not enrolled in the program?
A. Yes you can. Just pay the walk-in rate of 250.

Q. What if i have a 10-class or 5-class card? Can I use it for the Aftershock Classes?
A. No, you can’t. The Brewing Point Class Cards are only applicable for the Hiphop Saturday Classes as of the moment. But there will be workshops in the future in which you can use the card.

Q. When will the classes start?
A. Each class starts at defferent days. Please refer to our calendar for the schedule.

Categories: Dance Class

August Class Scheds at Vibe Dance Studio

July 28, 2009 5 comments

August Class Scheds at Vibe Dance Studio

Tues

Wed

Thurs

Fri

Sat

Sun

1pm – 2pm

Studio A

Studio B

Kids Jam

Stretch & Tone

Hip  Hop 1

2pm – 3pm

Studio A

Studio B

BBoy 1

Hip Hop 3

Hip Hop 2

BBoy 3

3pm – 4pm

Studio A

Studio B

BBoy 2

Popping 1

Hip Hop 3

4pm – 5pm

Studio A

Studio B

Kids Jam Jazz 1

Locking 1

Hip Hop 4

5pm – 6pm

Studio A

Studio B

Hip Hop 1 New Style

Hip Hop 1

New Style

New Jack Swing

6pm – 7pm

Studio A

Studio B

Stretch & Tone Locking 1 Girl Style

Hip Hop 2

7pm – 8pm

Studio A

Studio B

New Style

Cardio Jam

New Style

Cardio Jam

Stretch & Tone

Popping 2

Cardio Jam

New Jack Swing

8pm – 9pm

Studio A

Studio B

Hip Hop 2

New Jack Swing

Fees: ( Valid for 30 days upon purchase)

Members: 1 ClassP350 5 ClassP1,500 10 ClassP2,500 UnlimitedP3,500

Non Members: 1 ClassP400 5 ClassP1,750 10 ClassP3,000 UnlimitedP4,000

Sample Vids:


Categories: Dance Class

HIPHOP FEDERATION IS LOOKING FOR CREWS / INDIVIDUALS TO TRAIN!!!

July 27, 2009 1 comment

The Hiphop Federation is looking for crews / individuals to train and develop.

Requirements :
1. Must be an established dance group for at least 1 year.
2. Eligible to apply are school groups, baranggay groups, or dance clubs.
3. Groups must prepare a 3 minute routine to be performed in front of Hiphop Federation representatives for evaluation.
4. Groups must also be interviewed regarding their group history and profile.
5. Groups that pass the evaluation will be trained by the federation and may be included in the roster of possible non-exclusive talents of the federation for appearances in conventions, events and shows.
6. Groups that have potential will also be talent managed by Gobott, Inc.

For individuals :
1. Must have solid dance training / background for at least 1 year.
2. Must also prepare a 3 minute routine to be performed in front of Hiphop federation representatives for evaluation.
3. Must also be interviewed regarding their background and profile.
4. Individuals that pass the evaluation will be included in the training that will be scheduled by the federation. The federation has the discretion to form these individuals into a possible crew for further development.
5. Individuals may also be included in the roster of possible non-exclusive talents of the federation for appearances in  conventions, events and shows.

For interested groups / individuals, be informed of the following :
1. Kindly e.mail your Resume / Group profile to hiphop.philippines@gmail.com for evaluation and scheduling. The evaluation will be scheduled on a first come / first served basis.
2. On evaluation day, all groups / individuals who come to the screening will be required to bring a cd copy of their dance song.
3. A group / individual photo to be attached to the screening form that will be filled out during screening day.
4. Screening fee : P250 per crew / P100 per individual.

First screening is scheduled this Saturday, AUGUST 1, 2009 from 10AM to 12NN. Final venue will be announced tomorrow.

PLEASE COME ON TIME.

The venue is Groove Central Dance Studio. 4F Manna II Bldg., V. Luna Street (almost in front of V. Luna Hospital), Diliman, Quezon City.

Categories: audition

Dance Video of the Week

July 25, 2009 1 comment

J-Kwon – Get XXX’ed

Boogiezone Class with Allstars

Categories: Choreography, Video

Body Rock 2009 Official Videos!

July 24, 2009 Leave a comment

Body Rock 2009 (June 13, 2009

1st Place – Choreo Cookies

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2nd Place – The Company

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3rd Place – Kaba Modern

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Common Grounds

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Team Millenia

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SUPER GALACTIC BEAT MANIPULATORS

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FORMality SD

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Project Em

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Meccamee

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SO REAL

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Boxcuttuhz

Categories: Video

WATCH OUT FOR MAXIMUM GROOVITY 5 THIS SEPTEMBER 26, 2009! UPDATE!

July 22, 2009 3 comments

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Original Post Here

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Download the Mechanics, Press Release and Map here.

Looking to sponsor this event? Email me at gylisgod@gmail.com

Props to Carlos Kent for the mail.

Categories: Competition
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