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Archive for March, 2009

SAYAW TAYO! : First Ever Hip Hop Dance Convention

March 23, 2009 6 comments

SAYAW TAYO! Is the first ever Philippine Hip Hop Dance Convention. It aims to bring together under one roof the gurus and proponents of Hip Hop dance in the country. The event envisions to bring forth Hip Hop as an alternative dance form that young people can utilize to express their feelings and dreams.

The dance convention is a once day dance marathon involving many recognizable names in the Hip Hop community such as (officers of the Hip Hop Federation of the Philippines) Jungee Marcelo, Jason Zamora, Jon Jon Supan, Jay Mastah, The Manoeuvres, Team Vibe, The Crew among many others.

Morning Activities:

7:30 to 9:00         Registration
9:00 to 11:00       Plenary
• Opening of Convention
• Welcome Remarks by President of Phil Hip Hop , Mr. Jungee Marcelo
• Forum / Hip Hop Lecture by Jerome Dimalanta of UP StreetDance
• Testimonials of established crews

11:00 to 12:30    Early Lunch / Break

Afternoon Activities:

12:30 to 13:00 Warm Up / Classes
13:00 to 17:00 Hip Hop Classes – c/o Phil Hip Hop Instructors (Jason Zamora, Jun Jun Supan etc)

• Krumping
• Breakdance

—————–   waterbreak / fellowship / raffle  ————-
• New School / LA
• House

—————–  waterbreak / fellowship / raffle  ————–
• Popping & Locking
• New Jack Swing

17:00 to 18:00 Cool down / Convention break up / Closing Remarks

REGISTRATION FEE :

P500.00 includes loot bag and CD lite containing event theme song. REGISTER BEFORE APRIL 23 AND GET A 10% DISCOUNT.

Sayaw Tayo! and win prizes from our many sponsors!!!

Come and join us in this monumental event!

For inquiries, please call 232-0452; 0922-5433121

E-mail: kim.luy@gobott.com or visit hiphophilippines.multiply.com

Nike Women Dance Battle Results

March 22, 2009 1 comment

March 21, 2009

1st place: CADS
2nd place: Company of One
3rd place: Synckupado

Congratulations!

Props to Maica for the pic.

Categories: Competition Results

Answer Yamaha’s call for self-expression for a chance to win Php20,000!

March 21, 2009 2 comments

Get ready to show your coolest moves and fiercest grooves in a dance battle with the ride of the future!

To join, group must be:
• An amateur dance team with 6 to 10 dance members
• With members aged 16 to 30 years old
• Sporty, stylish, and innovative

For full contest details and mechanics, you may click here or call (02)726.6763.

To download the application form, just click here.

Categories: Competition

Dance Shall Not Steal by Christian Sekhanan

March 19, 2009 15 comments

I got this from DancePinoy.com:

Written by Christian Sekhanan
Sunday, 08 March 2009 07:35

I’ve encountered many instances in dance wherein you come face to face with dancers who have plagiarized other dancers. Some copy the steps, some copy the music, some copy the costumes, and some copy the name… some even copy the crew motto. The term “biter” is very popular nowadays merely because there are so many times that this term needs to be used. Although “Biting” has been going on ever since the birth of modern dance, YouTube, and other video sharing sites, have made it significantly easy to “bite”. Biting even gets mistaken for “inspiration”, and it’s about time we all accept that there isn’t just a small line defining between “biting” and “inspiration”, there’s actually a HUGE chasm in between them.

Of course my initial response to this was “what the hell!?” hating them from the very bottom of my heart. But after some contemplation I’ve come up with this understanding:

People imitate because when they see something they like they want so much inside to be like that too. They wish so much to be on “that” level that when they cannot come up with a way to get there they end up duplicating what they see and hope that others don’t catch on.

Sometimes people copy because they see others do it, thus justifying the act. Most (if not all) crews do this. We see others in action and take bits and pieces of what we think looked good. We do it to be effective.

This is what normally happens for crews that care about nothing more than to look good. Which I’m sure most of us are guilty of.

Why not be original?? Because originality has a price. To just “be original” is a gigantic responsibility. As I said earlier, crews copy from others to be “effective” coz we know it works therefore why not use it too? Right? Originality is so burdensome and it’s risky. Because there is no way for you to find out if it will be effective unless you try it out. And in trying it out, the chances of failure is far too great.

When the Philippine all-stars did their thing the nation started doing their stuff, down to their costumes, to their steps, to their dynamics, to their music… heck even to their name. And why? Because tried and tested it works.

originality means you have to put up with the criticism, put up with the lack of followers, lack of fans, trying to avoid selling-out, trying to STAY ORIGINAL. And all these things are very difficult much more of you’re not all that serious about dancing. If you’re just dancing for kicks then why not stick to something people will enjoy? Why not do something people are familiar with? It’s far easier to make it around dancing by doing what others have done.

But I guess that’s what marks the difference… whether you take dance as a trade, or as an art. If you truly are serious about it then copying won’t be good enough for you. If you are just “ok” or “so-so” with dance then go copy, heck everyone’s doing it.

But please, if you do copy (bite) please don’t sprout that “expression”, “inspiration”, “for God”, “for art”, “for the Philippines” crap. Saying stuff like that to counter the hate you’ll be receiving from REAL dancers won’t work.

Ok guys? Take responsibility for your actions, please.

-Christian Sekhanan

[original source]

Categories: Misc

WNCAA Cheering Competition Results

March 18, 2009 1 comment

This is pretty old but hey. February 22, 2009 was the Competition Day. Out of the 11 teams that competed, here’s the result:

1st place: St. Scholastica’s College
2nd place: College of St. Benilde
3rd place: La Concolacion

Categories: Competition Results

Orange: Pinoy & Proud” – Orange Dance Studio’s 8th Summer Funshop

March 17, 2009 Leave a comment

Categories: Dance Class

Step-Off 2009: The Stomp Challenge

March 16, 2009 Leave a comment

step-off-poster-small.jpg

Mechanics and Event Information – Download PDF
Waiver and Registration From –
Download PDF

Categories: Competition

RENDEZVOUS: of beginnings and new beginnings “The LSDC-JAZZ’s 29th Anniversary Concert

March 14, 2009 1 comment

“There are times to cultivate and create, when you nurture your world and give birth to new ideas and ventures. There are times of flourishing and abundance, when life feels in full bloom, energized and expanding. And there are times of fruition, when things come to an end. They have reached their climax and must be harvested before they begin to fade. And finally of course, there are times that are cold, and cutting and empty, times when the spring of new beginnings seems like a distant dream. Those rhythms in life are natural events. They weave into one another as day follows night, bringing, not messages of hope and fear, but messages of how things are.”

-Chogyam Trungpa

This year, the La Salle Dance Company Jazz is going to venture into producing yet another boldly-conceptualized dance concert. In our 29th anniversary, at the dawn of our 30 glorious years, we will celebrate beginnings and re-beginnings and how much they sketch our fates, our future, may it be fruitful and successful or something that we will all have to learn from.

One story lingers at the back of my head as I was contemplating on this concept. A story of…

… a chaotic beginning, where characters has not yet built any solid definition of who they are and of their role in the society, they wander through the nothingness in, both, themselves and in the surroundings that is still awing them into total surrender. Too much of the problems and too less of the solutions come their way, inevitably leading them to be selfish, to fight for each one’s existence, to be indifferent.

When we talk about the past, it is half about the chaos, the problems, the walls that those who came before us had to face and challenge which in turn made them great and earned for them a place on the pages of our history. The battle that Rizal had to fight, for example, is one of such chaotic situations that the country suffered for, but of a great mind he picked up his pen and wrote peace, wrote order which until now, we benefit from. Another good example are wars which turn every nation, and every life in disarray; ending lives, cultures, traditions and even the mindset of those affected, but the purpose is supposedly order, peace and understanding. The purpose is a new beginning, rising from the rubbles of dilapidated buildings, ghosted towns, and piles of cadavers.

Soon these characters in my story started to go their own separate ways. From a society created as one, they scattered all over the earth to do what they think is best for themselves. From a solid core of souls they spread out into the peripheries of the land, into every frontier, away from each other. There they started with a single matchstick to light their first flame, a single seed to plant their first wheat and a single, warm egg to hatch their first meat. From this forced beginnings, they grew separately and learned similar lessons, which later, brought about the order and peace in their own separate societies and lives.

We respect every encounter, every petty fight, every little argument that we go through every day of our lives. We know that through these hardships, if we may call it that, we will learn a great deal of strength and courage and even knowledge to how to live our lives more efficiently to how to treat our neighbors better the next day.

After such an arduous process of learning through mistakes and experiences, we find ourselves amidst silence. It’s as if an angel passed by over our heads on the dead of noon casting a fast moving shadow over the smoking windows, flaming cars, weeping mothers, and empty bullets shells scattered on the streets like white quarts on the beach. We stand there alone with our hands halfway raised on both sides dirtied by grease, dust and gunpowder. Our clothes ripped in some parts. Our face smudged with a mixture of blood, sweat, tears and dust. Where do we start from here? What do we do now? These are questions that haunt us as we slowly squat in dismay and ultimately drop seated on the pavement with less hope in our glaring eyes than those in an orphan’s.

As the camera zooms out from you whose tears are slowly crawling down your cheeks, the whole surroundings is seen, that of destruction of and hopelessness. This is the “anarchic silence” a silence that dictates, a silence that we have no power over, a silence that deafens us. But we know that it is not the end.

When everything is torn down and crushed back into earth, every sin, every mistake and every memory goes down with it. Mother earth does have her ways of bringing us back to where we belong.

This is where we start, or re-start, if I may, slowly standing up and picking up the pieces that are left; walking around to find someone who might have, also, survived the whole experience and holding their hands for comfort and courage. We work under the light of the moon and we hide from the scorching heat of the sun. We have learned to love darkness for we do not want to see those ugly sights. Only until we have rebuilt everything will we be able to finally have that courage to wait for the next sunrise and greet it with pride and a smile.

This is our rendezvous point, this is where we converge to start a new travel a new future, together, again, wiser, and better.

SOME OF THE DANCE PIECES:

1: SANCTUS:  A simple glorification of God’s name and thanksgiving.


2: KABASKUG (strength): This will be our chaotic start. A guest performance by the UP Pep Squad.


4: Basyo, tingga, alikabok, apoy, usok… Luha’t dugo (BATIAPOK LUGO): This piece will talk about war, about murder, about quarrels, about fights and all the misunderstandings that we could represent in a 6-minute piece.


5: ZAL: The fire that began the revolution and wrote peace on the islands of the country.

DIRECTED, CONCEPTUALIZED, WRITTEN, DESIGNED AND CHOREOGRAPHED BY:

Cast: LSDC-JAZZ, Some Alumni, UP Pep, and other great dancers.

Categories: Dance Concert
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